The HarbourFront Centre, Toronto, brought Stan’s Cafe over with two shows – The Cleansing of Constance Brown (performed in the Enwave Theatre, Power Plant building) and Of All The People In All The World (aka. The Rice Show – to be performed in the York Quay Building next door). As a taster to the rice – in advance of the show proper which opens next wednesday to the public – we travelled to the corporate HQ of Siemens (Canada) in Mississauga this morning (friday). SIEMENS BUILDING, MississaugaSponsorship and private patronage of the Arts is much more common in North America than it is back home in the UK, it would seem. Take for example the ‘anonymous private donor’ who single-handedly financed the previous ‘Of All the People In All The World (the Americas)’ outing at The Skirball Center, Los Angeles in 2007 – a huge, month-long undertaking. Here in Toronto  The HarbourFront staff were impressed with Siemens vision in opting to sponsor the staging of the rice show, unconventional as it is. Given the widespread appeal and the international touring potential, I’m surprised there hasn’t been more interest from big corporations – but then part of the show’s strength is that it is independent of any corporeal agenda. That would change if it were clearly underwritten by  a commercial organisation.

Siemens let us get on with it, scattering their polished marble foyer with stats about commuting patterns, local demographics and a TV ratings figure for the final episode of that famous, much-loved Canadian soap opera ‘Corner Gas’; one is always learning stuff in this job. Particularly satisfying was to grab the opportunity of their once-a-year Fire drill to count up the number of employees evacuated from the building (195).

 

Werner von Siemens and the power of telecommunications

Werner von Siemens and the power of telecommunications


3 shows down and the 11-strong Constance Brown team are getting into their stride. Still plenty of tweaking to be done as re-calibrated cogs find their new meeting points. Some scenes seem to slip by smoother than ever, as does the ‘Office Crisis’ scene, which is enormous fun to perform and has us grinning and a-gurning at each other backstage. Other scenes are more difficult to pin down, as in the final ‘Negotiation’ scene, whose rhythm has been upset by the new cocktail of persons’ energies. It’s a strange one to put your finger on – it might be the slightest shifts in timings which make for a completely different feel of the scene. This difference may go unnoticed by an audience but onstage it becomes a critical thing.

A couple of local reviews have appeared, in the Toronto Star and an online reviewer shedoesthecity 

Tiredness was very evident after two performance last night, but not to be defeated Alex, Arvo, myself and Torontonian Chris jumped onto a streetcar to the College & Clinton intersection where we joined some of our new Canadian buddies at The Orbit Room. The legendary LMT Connection were funking the joint, as they have done every wednesday night for over a decade, it seems. It was an awesome night. We danced some… and some more, but far from disgraced ourselves.

The funk is difficult to shake off, but the fire within set off the Hotel fire alarms on the dot of 9am, which was very rude. I, like many others apparently spent 5 minutes hunting down the source of the bleep, pressing buttons, switches, etc. in an attempt to end the wailing. I even found myself vainly pressing the on/off button on the coffee machine. Feeling dog rough, I went out into the hallway to check whether there really was a conflagration. The cleaner seemed none the wiser, but the sound of approaching fire tenders confirmed for me that it probably was serious. My room’s on the 14th floor and with the lifts out of action, the rapid clockwise descent down a concrete stairwell left me a bit nauseous. Many of the Stan posse are on the 33rd floor! I felt for those who actually bothered to get out of bed and respond to the threat of towering inferno.

Toronto Fire Dept. to the rescue

Toronto Fire Dept. to the rescue

 

 

There’d been a light drizzle overnight…and as the conscientious few stood on the pavement waiting for the all-clear from the Fire Dept., I felt that my Funk had been well and truly quenched…at least, that is, until next wednesday night.


Opening Night

05May09

Late afternoon respite, in between this afternoon’s open dress rehearsal, (attended by a gathering of staff from The HarbourFront) and this evening’s opening performance of The Cleansing of Constance Brown. It’s become a feature of this show that at every outing, it seems, a new performer has to be integrated into the show.The Constance Brown set inside The Power Plant

Too expensive and impractical to fit-up and rehearse the show at home, opportunities have to be grabbed during the get-ins at the venues themselves. This way of working might’ve seemed unthinkable 10 years ago, but it has become part and parcel of the touring process these days. It’s simply too difficult to accommodate the availabilities of 10 freelance artists when 6 months or more may pass between bookings. The gigs in Bucharest last autumn witnessed the gradual integration of 3 new performers, (Ray, Jon and Alex) plus a new stage manager (Billy) and new lighting technician (Hugh) none of whom had ever seen the show before. Thank goodness for the dvd, recorded at the Warwick Arts Centre premiere in May 2007, though there’s no doubt the show has improved / refined itself since then.

Here in Toronto, Alex (previously playing Bernadette) has been rehearsed into the role created by Jan Pearson, whilst Gareth reprises the role that he adopted from Andy (and which has subsequently been performed by Nick Tigg and Ray Newe). It may sound bonkers but it certainly keeps an edge to performances. It’s a question of constantly having to readjust the dynamic and rhythm of scenes as the energy of a different performer is added to the mix. 

There was chuckling in the audience this afternoon– during all the right places – and a sense that the Toronto audience will respond warmly. The whole run has been sold out for ages, so here’s hoping they won’t go home disappointed.

The return of the Orange Billowing Mass


HarbourFront

04May09

Director's NotesGet-in day at The Power Plant, on Toronto’s HarbourFront. Everybody in this City seems incredibly laid back and stress levels during the fit-up are low. It feels such a treat being here. The gig has been a long-time in the planning. Tina from the venue saw the show at Edinburgh in 2007, so it’s nearly 2 years in the realisation. Stan on the waterfront

We finish the day’s prep in good time for some evening shenanigans, as it’s Alex’s birthday and this’ll be our last chance to enjoy the dusk for a week or so.


terminal 3

04May09

CrateshifterThere’s a 4.44am-something psychosis as I arrive at terminal 3, several hours prior to departure. The early shift suddenly overwhelm my entrance as a coachload of functionaries sweep past me, zombie-faced, toward the myriad tasks that make up Heathrow – airport machine. I’ve got what you might call excess baggage. 4 crates of rice show gubbins plus my own luggage – probably about 120 kilos in all. But, with any luck, Craig will find me once more, once he’s dumped the hire car. Then, soon enough the London posse (Gerard, Bernadette, Gareth) will join us and the booty will be divvied up for the check-in.

Slowly life is breathed into this place as I hear the clatter of steel plates and the whir of  conveyor belt. We’re heading for the big TO. Toronto.


a start

01May09

Thanks to Nick for guiding me through my first social media surgery. After so much thinking and not enough doing I’m up and running with my blog. Not to mention becoming the custodian of the graemerose.com domain. Why hasn’t it been nabbed before, I ask? Has it been sitting there waiting for me? I’m off to Canada on sunday with the Stan’s Cafe posse and it’s my intention to diarise the unfolding events for posterity – or even for the great now, seeing as that’s what this is really about. So here’s to now-ness and the great now-here.