prize-winning act
Alexa Fury reveals the face of Cassandra in Kindle Theatre‘s cultish drrty grrl band version of The Furies….
The show had its second outing last week as part of the remarkable BE Festival 2011 at AE Harris. On Saturday, at the closing awards ceremony, The Furies received the ACT touring award, with its prize an invite to the ACT Festival in Bilbao. The talk was of The Furies achieving a cult status, but first the show has to be reworked and rehearsed up for Edinburgh audiences. Watch this space for performance details.
To add to the air-punching glory, I managed to walk away from BEfest with the ‘Pamper Hamper’ raffle prize. Quite what that means, I’m unsure, but rest assured Dave the Roadie will smell good.
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Tags: kindle BEfestival
I can predict the future
Long ago, in the days before the AEHarris venue even a twinkle, Stan’s Cafe were resident on the top floor of an abandoned factory building on New Canal Street in a largely derelict part of Digbeth. There was a vibrant alternative cultural scene here, not to mention activity of the established giants; UB40’s studio round the corner, Birmingham Opera’s memorable Candide performing in the Chuckworks…
But Brum had grander schemes in mind. Amid much talk of Eastside Regeneration, hopes of a successful City of Culture bid and the proposed relocation of the Royal College of Organists to Curzon Street, the New Canal St. factory was bulldozed and the ground prepared for a series of building schemes which would include Richard Rogers’s iconic New Library.
Some seven or eight years on, this is what the site now looks like (pic). Even UB40 have given up here and the once excellent pubs are now boarded up. A completely different Library building is currently being constructed “Westside” and here in Digbeth’s abandoned wastes, nature is reclaiming its own.
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“…be again, BE again…”
…With those strains of Beckett still trailing me, I return to Brum with a vigour, and time to focus on overdue work that’s suffered from the disruptions of touring. Meanwhile, as summer festival-time approaches, I’m feeling the thrill of a three-pronged performance assault ;
1. BE festival. Just what Birmingham needed….and the BE Team actually make it happen! The audacious and colourful BE Fest returns to AE Harris in 3 weeks’ time. The BE programme has just been announced and includes a second (improved!) outing of Kindle’s The Furies, which will conclude the opening day’s fare with its Rock and Rage. (I direct, and have occasion to play Dave, the roadie) 6th July, 10pm.
2. Latitude 2011. Red Shift return to the excellent Latitude Festival with The Invisible Show II. Last year was something of a try-out for the show and it proved a great success, so this year the piece is being developed so that audience responses and festival actualities might be folded into the narrative. The Invisible Show II will be performing several times during the day amidst the crowds near the Literary & Theatre Arenas. 14th – 17th July.
3. Edinburgh Fringe Festival. The grandaddy of them all. Not only do Red Shift penetrate the fizzing cauldron that is Pleasance Courtyard with their Invisible Show II, but the Furies fly into the ‘burgh too, a-wailing and a-screeching. Red Shift, 21st-28th Aug (11.30am, 2pm, 4.30pm daily); Kindle Theatre 24th-26th (late night, venue tbc.)
Watch this space for updates.
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looking like krapp
Beckett locates his 1958 play thus;
A late evening in the future.
“Wearish” old man Krapp listens to the declamations of his younger self via a thirty year-old reel-to-reel tape recording. He skirts any sentimental reflection over the death of his mother, brooding instead on memories of an anonymous nurse or the incomparable bosom of a passer-by.
Krapp’s Last Tape has become a classic rumination for the actor in his twilight years. Pinter, Hurt, Gambon… and famously Max Wall. Early reaction to me performing the role was greeted with surprise. You’re not old enough! But the real revelation is that Beckett wrote the part at the age of 51 for a 37-year old Patrick Magee. And “a late evening in the future” is exactly that – a projection of the future-self looking back on moments of the lived present…. all of which – as I write – happened yesterday, infact.
Krapp’s Last Tape proved an ideal warm-up act to the very last showing of Model Love, performed to a packed house in the Wickham Theatre at Bristol University. It is four years since the start of the project, and the successive versions of the show – as installation, print and performance – span a period of intense lightnesses and darks, which have spilled off the paper into life. Ed Dimsdale’s brilliant images from those early love-story photo-books provided the substance from which the work grew.
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Tags: Bodies in Flight, ed dimsdale, krapp's last tape, simon jones
still moving
Four days of buzzing between B’s… Berlin>B’ham>Balham>Bristol.
…strictly speaking the Berlin part was actually elegant Potsdam, full of Schloss und Wasser, where the excellent Fabrik Tanztage played host to a visit of Stan’s Cafe’s The Cleansing of Constance Brown last week. We were looked after, fed gloriously and leave lovely friends behind. After a sleepless final night of de-rig, dunkelbiers and impromptu dancing, I return home with barely time enough for a wash cycle and re-pack before hitting the Capital for a Wembley treat with brothers-in-law and small persons (England clawing back a 2-2 draw off the mighty Schweizers) and then it’s a painfully long train journey back to the Midlands before repacking and heading to Bristol first thing this-morning.
This thursday, 9th June, here in Bristol, I’ll be performing a double bill with Bodies In Flight: Sam Beckett’s Krapp’s Last Tape and Bodies In Flight’s Model Love bookend the Inaugural Lecture of my long-time friend and collaborator Simon Jones, Professor of Performance at Bristol University. This is a real opportunity to celebrate Simon’s practice & research and I’m proud to be the embodied presence at that interface of Flesh & Text.
Here are details of the event, Still Moving, as published on the University website.
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scoop
Created by Talking Birds and MindRiot Prods. as stimulus for an education project with Coventry schools.
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lost in 90mins
It was the last day of the Premiership season, with five teams still thrashing out for survival in the top flight. Barely 3 months ago Birmingham City were delighting us with a triumphant Carling Cup-winning streak, but since then it’s all been ‘tired and weary’ with the road looking ever more slippery. The peculiar optimism felt at Wembley had given way to something all too familiar and dare I say it …inevitable.
So, avoiding the match coverage, I decided instead to capitalise on a weekend of family fun, (which embraced sister Elaine’s 40th and a visit to the Tolkien ‘Middle Earth’ weekend at Sarehole Mill) with a picnic in the wilds of Sutton Park.
At kick-off we’re striding through copse in sunshine and a bracing wind, with bulging food-bags and ball at our feet. Everything to play for. Friends Peter & Natalie are onside. At half-time the scores are even and we stop for our feast. At this stage Blues are just safe on goal difference. The whistle blows and we’re off past Blackroot Pool for the second half of our journey. It’s at this point everything goes belly up. Grown ups wander ahead, Boythings start to dawdle. Boy.1 darts forward with the ball, leaving a leaky defence. Then Boy.2 stops paying attention and wanders off the main track, witnessed up ahead by myself, waving like a disconsolate linesman. He disappears into the woods and I follow him, expecting this to be part of a hide & seek game-plan. But no. He has actually disappeared. Vanished in the thicket. There follows a whole heap of shouting, running, marshalling our team, gathering supporters and summoning officials. Sutton Park is vast and disorientating. I struggle to know where I am in this place so how on earth will an (albeit headstrong and savvy) 7 year-old cope? To make matters more difficult there’s no phone signal, so the team are not really communicating efficiently. Through the anguish of uncertainty one must never give up hope, though. I know he’ll be ok. I know he will. I’m covering the left side of the pitch, Peter the right side; tirelessly running trails that criss-cross the Park. Natalie defends the centre with Boy.1. Everybody we pass is also brought into the sweep, including (by this point) the Park Rangers, the Police and their not so secret weapon, the Police Chopper.
Meanwhile, the fugitive has made his way coolly to our car on the opposite side of the park and is waiting for us. He admits feeling shocked when a policeman called Matt approaches him and seems to know his name. Ah! The game is all but over.
Back at Blackroot Pool dad knows he’ll get probably get the sack. Ultimately the Manager is culpable. There is a police car, a ranger’s jeep and three fire engines gathered around the pool. (I still don’t understand the fire engines, but thankfully their presence is unrelated.) Jacob gets out of the Jeep and somewhat sheepishly approaches his ragged wreck of a father.
The final whistle has blown. People pass the pool on their onward journeys. They all know who Jacob is, because they’ve all been looking for him. Then a new face passes; a bloke in a Birmingham City top, somewhat worse for wear. His face says it all. I don’t need to see the scorelines to know that we’re down and out. The ‘lost’ is insignificant, however, in the presence of a ‘found’. Boy.2 is, after all, safe and well.
The walk back to the car is a mixture of relief and bewilderment. I ask ‘Lost & Found Boy’ to guide us as a test of his powers of orientation. Astonishingly, he takes us straight there. The terror of it all seems worse after the event and I’m in no doubt there’ll be a few more sleepless nights. Birmingham City will live to fight another day and will be back where they belong. In the meantime I would like to issue a personal message of eternal gratitude to everyone who helped look for and find Jacob. Hereon, all eyes will be kept firmly on the ball.
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watch this space
This week marked the 70th anniversary of the first (and worst) nights of Hull’s wartime Blitz and I’m in the city supervising a site-specific theatre residency with students from the University. Watch This Space is a promenade performance taking in several sites along Hull’s Fruitmarket (aka. Humber Street). Students’ research for the project incorporates a range of subjects which illuminate the rise and fall of Humber Street; be it the transmigration of European emigrants en route to America, street low-life, the fruit trade, theatre/music hall or the devastation of the city during WWII (An extraordinary bomb map shows the exact location of the fallen bombs on the site, explaining away some of the dereliction which is still evident a lifetime later).
Despite the best efforts of the city council to entertain designs of a cultural regeneration in this richly historic (and now isolated) fragment of the city, cash cuts have seen the recent dismantling of its great hope – the development agency, Hull Forward – and only after all the resident fruiterers had been relocated away from The Fruitmarket. Its chief raison d’etre may be gone, but never mind – there’ll always be artists and performers on the lookout for empty, cheap space with plenty of character, no power and a leaking roof… Meanwhile here comes another downpour upon this ancient place…
Watch this Space appears later this evening, 14th may. Yesterday’s dress rehearsal, after a mere 5 days of work, was a huge morale boost and I’m very much looking forward to the final event, rain or shine. Soon afterwards, like the spectres who populate our Humber St. stories, all will be consumed to the muddy river of History. (further pics of Humber St. and the docks)
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bangers & MASH
This week saw the culmination of a Brightspace project I’ve been developing with staff and pupils (yr 4) at Cotteridge Junior School. The brief was to engage children in a Creative Storywriting project with the focus on ‘Imaginary Worlds’. Another proviso was that the project should involve the use of digital technology. Using the local (and very excellent) Cotteridge Park for stimulus, the 2-month project resulted in the creation and presentation of a 32-page comic-book epic, comprising 8 different stories inspired by the fictional idea that the three unexplained craters in the park (exploratory gravel pits dating from the construction of the adjacent railway) might actually have been the result of meteorite impacts. Odd findings, shameless speculation and a general deviation from the rational resulted in some fantastical stories from the vibrant minds of the year 4’s, involving intergalactic battles, cavemen, martian pods suspended from trees, invading aliens and appearances by mythological park inhabitants The Growler and The Terrorbird. With the help of some ComicLife software, the process is now translated into a glitzy, poster-sized outcome which will soon grace walls of the school. Here are a few of the images put together (out of original sequence); 
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Tags: alien, comic life, cotteridge park, cotteridge school, meteorite landings
blah blah blah
Currently en route to Hull for the first outing of a new improvisational piece which I’ve been working on with Jill Dowse. Blah Blah Blah will be presented later today at the Red Gallery, as part of a rolling programme of events promoted by Compass Live Arts across Yorkshire and Humberside. Blah Blah Blah is a solo exercise in word association, in which Jill journeys into a world of shared language; words which transcend language barriers through their common identity. My job as director has been to help establish a set of structures or strategies through which Jill can navigate her performance, which can lead potentially in any direction.
Here’s Jill and her Harmonium, mid-rehearsals @AEHarris.
For more info see the Compass Link….
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